Llave maestra (Master key) 2012, digital prints, black and white, matt paper photos, 80 x 60 cm each. Photo Oak Taylor-Smith
San Gimignano
Beijing
Les Moulins
Habana
Llave maestra (Master key) 2012, digital prints, black and white, matt paper photos, 80 x 60 cm each. Photo Oak Taylor-Smith
Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Lo que contaba la abuela... (series), 2017. Lightboxes. Variable dimensions. Photo: Oak Taylor-Smith
Llave maestra (Master key) 2012, digital prints, black and white, matt paper photos, 80 x 60 cm each. Photo Oak Taylor-Smith
Llave maestra (Master key) 2012, digital prints, black and white, matt paper photos, 80 x 60 cm each. Photo Oak Taylor-Smith
El Escándalo de lo real heterologuos artificial insémination 2006-2007, photograph and medical report of insemination, medical report: 28 x 22 cm; photograph: 20 x 30 cm. Photo Oak Taylor-Smith
El Escándalo de lo real heterologuos artificial insémination 2006-2007, photograph and medical report of insemination, medical report: 28 x 22 cm; photograph: 20 x 30 cm. Photo Oak Taylor-Smith
Kont pa si bato mon frèr pou sot la rivièr 2011, video performance, Reunion Island, France. Photo Oak Taylor-Smith
Dibujo Intercontinental, 2017, Performance, Venice, Photo Oak Taylor-Smith
Dibujo Intercontinental, 2017, Performance, Venice, Photo Oak Taylor-Smith
Dibujo Intercontinental, 2017, Performance, Venice, Photo Oak Taylor-Smith
Dibujo Intercontinental, 2017, Performance, Venice, Photo Oak Taylor-Smith
Estudio, 2017, Photo Michel Pou
Estudio, 2017, Photo Michel Pou
Estudio, 2017, Photo Michel Pou
Espera, 2014, object, Photo Michel Pou
Sin título, 2017, text, Photo Michel Pou
Sin título, 2017, text, Photo Michel Pou
Susana Pilar, still from Seamos felices mientras podamos, 2009. Photo Nestor Kim
Sin título, 2008, photograph, Photo Michel Pou
Sin título, 2008, photograph, Photo Michel Pou
Sin título, 2008, photograph, Photo Michel Pou
Lo que contaba la abuela..., 2017, lightbox, 120 x 180 x 20 cm, Photo Oak Taylor-Smith
Lo que contaba la abuela..., 2017, lightbox, 120 x 180 x 20 cm, Photo Oak Taylor-Smith
Lo que contaba la abuela..., 2017, lightbox, 120 x 180 x 20 cm, Photo Oak Taylor-Smith
Lo que contaba la abuela..., 2017, lightbox, 120 x 180 x 20 cm, Photo Oak Taylor-Smith
Lo que contaba la abuela..., 2017, lightbox, 120 x 180 x 20 cm, Photo Oak Taylor-Smith
Un chino Ilega a Matanzas..., 2015-2017, Installation. Chinese ink on silk, lantern, sound and Coral red floor RAL 3016, variable dimensions, Photo Oak Taylor-Smith
Un chino Ilega a Matanzas..., 2015-2017, Installation. Chinese ink on silk, lantern, sound and Coral red floor RAL 3016, variable dimensions, Photo Oak Taylor-Smith
Un chino Ilega a Matanzas..., 2015-2017, Installation. Chinese ink on silk, lantern, sound and Coral red floor RAL 3016, variable dimensions, Photo Oak Taylor-Smith
Un chino Ilega a Matanzas..., 2015-2017, Installation. Chinese ink on silk, lantern, sound and Coral red floor RAL 3016, variable dimensions, Photo Oak Taylor-Smith
