
Nouvelle Perspective exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2024.
Nouvelle Perspective exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2024.
Nouvelle Perspective exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2024.
Nouvelle Perspective exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2024.
Nouvelle Perspective exhibition view, Galleria Continua, Paris Marais. Photo: Hafid Lhachmi © ADAGP Paris, 2024.
Terzo Paradiso 2023, exhibition wiew at Artium Instituto de Cultura, São Paulo, Brazil. Photo: Joao Caldas
Terzo Paradiso 2023, exhibition wiew at Artium Instituto de Cultura, São Paulo, Brazil. Photo: Joao Caldas
Judgement Time exhibition view Galleria Continua, Dubai, 2023. Photo: Musthafa Aboobaker
Judgement Time exhibition view Galleria Continua, Dubai, 2023. Photo: Musthafa Aboobaker
Judgement Time exhibition view Galleria Continua, Dubai, 2023. Photo: Musthafa Aboobaker
Judgement Time exhibition view Galleria Continua, Dubai, 2023. Photo: Musthafa Aboobaker
QR Code Possession The Formula of creation meetings 2023, oil on canvas. Photo: Dong Lin
Metroquadrato D'infinito 1966-2021, mirror, rope, 240 x 240 cm. Photo: Dong Lin
Division and multiplication of the mirror 1975-2023, gilded frame, mirror, 200 x 160 cm. Photo: Dong Lin
Division and multiplication of the mirror 1975-2023, gilded frame, mirror, 200 x 160 cm. Photo: Dong Lin
Segno Arte exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo
Segno Arte exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo
Color and Light: the latest works 2023 exhibition view Galleria Continua, Roma. Photo: Giorgio Benni
Color and Light: the latest works 2023 exhibition view Galleria Continua, Roma. Photo: Giorgio Benni
Color and Light: the latest works 2023 exhibition view Galleria Continua, Roma. Photo: Giorgio Benni
Color and Light: the latest works 2023 exhibition view Galleria Continua, Roma. Photo: Giorgio Benni
Color and Light: the latest works 2023 exhibition view Galleria Continua, Roma. Photo: Giorgio Benni
Color and Light: the latest works 2023 exhibition view Galleria Continua, Roma. Photo: Giorgio Benni
I Quadri Specchianti, exhibition view Galleria Continua, San Gimignano, 2023. Photo: Ela Bialkowska OKNO Studio
I Quadri Specchianti, exhibition view Galleria Continua, San Gimignano, 2023. Photo: Ela Bialkowska OKNO Studio
I Quadri Specchianti, exhibition view Galleria Continua, San Gimignano, 2023. Photo: Ela Bialkowska OKNO Studio
I Quadri Specchianti, exhibition view Galleria Continua, San Gimignano, 2023. Photo: Ela Bialkowska OKNO Studio
I Quadri Specchianti, exhibition view Galleria Continua, San Gimignano, 2023. Photo: Ela Bialkowska OKNO Studio
Amar las diferencias exhibition views Galleria Continua, La Habana, 2023. Photo: Nestor Kim
Amar las diferencias exhibition views Galleria Continua, La Habana, 2023. Photo: Nestor Kim
Amar las diferencias exhibition views Galleria Continua, La Habana, 2023. Photo: Nestor Kim
Amar las diferencias exhibition views Galleria Continua, La Habana, 2023. Photo: Nestor Kim
60 ans d’identités et d’altérités 2022-2023. Exhibition view Galleria Continua / Les Moulins, France. Photo: Allison Borgo
60 ans d’identités et d’altérités 2022-2023. Exhibition view Galleria Continua / Les Moulins, France. Photo: Allison Borgo
60 ans d’identités et d’altérités 2022-2023. Exhibition view Galleria Continua / Les Moulins, France. Photo: Allison Borgo
Color and Light 2021, White mirror, black mirror, jute, acrylic paint, gilded frame, 250 x 180 cm. Photo: Allison Borgo
Tre bambini impiccati 2004 Piazza XXIV Maggio, Milano 2021, silkscreen on super mirror stainless steel, 400 x 300 cm. Photo: Oak Taylor-Smith
Tre bambini impiccati 2004 Piazza XXIV Maggio, Milano 2021, silkscreen on super mirror stainless steel, 400 x 300 cm. Photo: Oak Taylor-Smith
Messanudo 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Messanudo 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Messanudo 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Messa a nudo – N 2020, silkscreen on super mirror stainless steel, 250 x 150 cm, 98,42 x 59,05 in. Photo: Ela Bialkowska, OKNO Studio
Messa a nudo – G 2020, silkscreen on super mirror stainless steel, 250 x 150 cm, 98,42 x 59,05 in. Photo: Ela Bialkowska, OKNO Studio
Messa a nudo - I 2020, silkscreen on super mirror stainless steel, 250 x 150 cm, 98,42 x 59,05 in. Photo: Ela Bialkowska, OKNO Studio
Grande sfera di giornali (Progetto per un museo) 1966-2019, macerated and pressed newspaper, Ø 340 cm. Photo: Ela Bialkowska, OKNO Studio
L'etrusco 1976, bronze, 194 x 90 x 80 cm. Photo: Ela Bialkowska, OKNO Studio
Le maschere - il Barocco 1969, photographs, 5 elements, 55,5 x 46 cm each. Photo: Ela Bialkowska, OKNO Studio
Rotazione dei corpi 1989, photographic print on Plexiglas, wood, led lights, 70 x 137 x 137 cm. Photo: Ela Bialkowska, OKNO Studio
L'albero 1983, rigid polyurethane and acrylic, 400 x 300 x 150 cm. Photo: Ela Bialkowska, OKNO Studio
Il Rispetto (general view) 2016, mirror, colored wood and gilded frame, 250 x 150 cm each. Photo: Ela Bialkowska, OKNO Studio
Venere - persona - Gamma 2018, silkscreen on super mirror stainless steel, 200 x 125 cm. Photo: Ela Bialkowska, OKNO Studio
Venere - persona - Beta 2018, silkscreen on super mirror stainless steel, 200 x 125 cm. Photo: Ela Bialkowska, OKNO Studio
Lima - Vestizione n.2 2018, silkscreen on super mirror stainless steel, 170 x 125 cm. Photo: Ela Bialkowska, OKNO Studio
Uno specchio rotto 2019, mirror and frames, variable dimension. Photo: Ela Bialkowska, OKNO Studio
Rottura dello specchio – azione 3, 2017, silkscreen on super mirror stainless steel, 150 x 250 cm. Photo Ela Bialkowska, OKNO Studio
Ragazza che disegna lo spazio 2018, silkscreen on super mirror stainless steel, 250 x 150 cm. Photo Oak Taylor-Smith
Bimbo che gioca 2018, silkscreen on super mirror stainless steel, 250 x 125 cm. Photo Oak Taylor-Smith
Division and multiplication of white walls, 2018, 7 elements, 2 panels each, iron structure, plaster, mirror, 220 x 340 x 50 cm each. Photo Oak Taylor Smith
Division and multiplication of white walls, 2018, 7 elements, 2 panels each, iron structure, plaster, mirror, 220 x 340 x 50 cm each. Photo Oak Taylor Smith
Oltre lo specchio 2018, mirror, wooden frame and wooden hammer, 125 x 250 cm, with frame 145 x 270 cm. Photo Oak Taylor-Smith
Oltre lo specchio 2018, mirror, wooden frame and wooden hammer, 125 x 250 cm, with frame 145 x 270 cm. Photo Oak Taylor-Smith
Suspended Perimeter - Love Difference, 1975-2017, iron, mirrors, Ø 10 m, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017
Suspended Perimeter - Love Difference, 1975-2017, iron, mirrors, Ø 10 m, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017
Michelangelo Pistoletto, Il pittore, 1959, oil on canvas, 120 x 120 cm, Photo Ela Bialkowska
exhibition view 'Prima dello specchio', GALLERIA CONTINUA, San Gimignano, 2015, Photo Ela Bialkowska
Michelangelo Pistoletto, Il presente - Uomo di schiena, 1961, acrylic and paint on canvas, 200 x 150 cm, Photo Ela Bialkowska
exhibition view 'Prima dello specchio', GALLERIA CONTINUA, San Gimignano, 2015, Photo Ela Bialkowska
Il Tempo del Giudizio / The Time of Judgement, 2017, mirror, carpet, Buddha sculpture, kneeling-stool, site specific dimensions, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017
Color and Light, 2017, juta, mirror, gilded wood, 5 elements: 180 x 120 cm each unique work, Photo Ela Bialkowska
Color and Light, 2017, juta, mirror, gilded wood, 5 elements: 180 x 120 cm each unique work, Photo Ela Bialkowska
Color and Light, 2017, juta, mirror, gilded wood, 5 elements: 180 x 120 cm each unique work, Photo Ela Bialkowska
Color and Light, 2017, juta, mirror, gilded wood, 8 elements: 180 x 120 cm each, Photo Ela Bialkowska
Color and Light, 2017, juta, mirror, gilded wood, 8 elements: 180 x 120 cm each, Photo Ela Bialkowska
Color and Light, 2017, juta, mirror, gilded wood, 8 elements: 180 x 120 cm each, Photo Ela Bialkowska
Vortice-dittico, 2017, black and silver mirror, gilded wood, diptych: 201 x 141 cm each, Photo Ela Bialkowska
Il Rispetto, 2016, mirror, colored wood and gilded frame, 23 elementi: 250 x 150 cm each, Photo Philippe Servent, Exhibition: RESPECT - ART, EDUCATION & POLITICS, VNH Gallery, Paris 2016
Il Rispetto, 2016, mirror, colored wood and gilded frame, 250 x 150 cm, Photo Philippe Servent, Exhibition: RESPECT - ART, EDUCATION & POLITICS, VNH Gallery, Paris 2016
Il Rispetto, 2016, mirror, colored wood and gilded frame, 23 elementi: 250 x 150 cm each, Photo Philippe Servent, Exhibition: RESPECT - ART, EDUCATION & POLITICS, VNH Gallery, Paris 2016
Michelangelo Pistoletto, Questo spazio non esiste, 1976, mirror, vinyl adhesive letters, site specific dimensions, Artwork n°70 from the yellow book ‘Cento mostre nel mese di ottobre’, Turin 1976, Photo Ela Bialkowska
Michelangelo Pistoletto, Senza Titolo 87, 1976, foil site, specific dimensions, Artwork n°87 from the yellow book ‘Cento mostre nel mese di ottobre’, Turin 1976, Photo Nicolas Giraud
exhibition view 'Prima dello specchio', GALLERIA CONTINUA, San Gimignano, 2015, Photo Ela Bialkowska
Automobile gialla, 2015, silkscreen on super mirror stainless steel, 250 x 150 cm, Photo Ela Bialkowska
Donna e uomo per strada, 2015, silkscreen on super mirror stainless steel, diptych: 250 x 125 cm each, Photo Paola Martinez Fiterre
La Habana, persone in attesa, 2015, silkscreen on super mirror stainless steel, 250 x 500 cm, Photo Ela Bialkowska
Terzo Paradiso: Cuba, Havana - December 16, 2014, 2014, performance in collaboration with Kcho and Laura Salas Redondo, Photo Paola Martinez Fiterre & Alejandro Mesa Crespo
Obelisco e Terzo Paradiso, 1976-2013, wood, metal, mirror, polystyrene, fabric, Obelisk: 1200 x 250 x 250 cm, Terzo Paradiso: 1300 x 500 cm, Photo Aurélien Mole, Exhibition: "Year 1: Earthly Paradise", Louvre, Paris, 2013
Terzo Paradiso, 2003-2013, 346 cymbals, lids, 120 x 640 x 1120 cm (approx), Photo Ela Bialkowska
Terzo Paradiso, 2003-2013, 346 cymbals, lids, 120 x 640 x 1120 cm (approx), Photo Pierluigi Di Pietro, Performance in La Habana, Cuba, 2015
Vortice-pentittico (Vortex-quintiptyque), 2010-2013, black and silver mirror, gilded wood, 5 elements: 201 x 141 cm each, Photo Aurélien Mole, Exhibition: "Year 1: Earthly Paradise", Louvre, Paris, 2013
Vortice-pentittico (Vortex-quintiptyque), 2010-2013, black and silver mirror, gilded wood, 5 elements: 201 x 141 cm each, Photo Ela Bialkowska
Metamorfosi, 1976-2016, mirror, rags, site specific dimensions, Photo Alicia Luxem
Metamorfosi, 1976-2016, mirror, rags, site specific dimensions, Photo Lorenzo Fiaschi
Labirinto e Grande Pozzo, 1969-2017, corrugated cardboard, mirror, space dimensions, Photo Ela Bialkowska, Exhibition Sphères 2009, Galleria Continua / Le Moulin
Labirinto e Grande Pozzo, 1969-2017, corrugated cardboard, mirror, space dimensions, Photo Ela Bialkowska, exhibition: Art Basel, Unlimited 2010
Labirinto e Grande Pozzo, 1969-2017, corrugated cardboard, mirror, space dimensions, Photo Ela Bialkowska, exhibition: Art Basel, Unlimited 2010
Mirror Cage - Double Square, 1975-2007, mirror, iron, 5 elements: 100 x 100 x 20,5 cm each, Photo Oak Taylor-Smith
Mirror Cage - Double Square, 1975-2007, mirror, iron, 5 elements: 100 x 100 x 20,5 cm each, Photo Oak Taylor-Smith
The Apple of Concord, 2007, Plexiglass, 290 x 326 x 2 cm, Photo Musthafa Aboobaker
Love Difference, 2002 aerlex paint on polished steel 102 x 183 x 2,1 cm, Photo Ela Bialkowska
Love Difference, 2002, aerlex paint on polished steel, 102 x 183 x 2,1 cm, Photo Ela Bialkowska
Michelangelo Pistoletto, one of the most prolific and influential contemporary Italian artists, was born in 1933 in Biella, Italy. His father was also an artist and Pistoletto learnt from him, working by his side from the age of 14. At 18 years old, he enrolled in Armando Testa’s advertising school. Both of these educative experiences were fundamental in educating Pistoletto in Art History, drawing, colour and painting.
He started exhibiting his work in 1955. In 1960, he had his first solo show at the Galleria Galatea in Turin. A study into the self-portrait exemplifies his works from the beginning of his career. They often had a monotone background with a figure as the main subject. In 1960-61, the background of these portraits were covered with grounds of metallic paint before he eventually replaced the canvas with polished steel. This would then go on to develop into the Mirror Paintings which he began making in 1961 – 1962. These works were revolutionary for their ability to open up perspective, directly placing the viewer and their surroundings into the work. These Mirror Paintings became the establishing force of Pistoletto’s artistic production as well as his academic theory and thought.
In 1965 and 1966 the works, “Minus Objects”, were classed as essential to the beginnings of Arte Povera, a world-famous art movement of which Pistoletto was a leading purveyor. In the late 1960s, he became known for working outside customary exhibition spaces, inviting other artists from different disciplines to join in. In the 1970s, a cycle of twelve consecutive exhibitions, “Le Stanze”, at the Stein Gallery in Turn took place and in 1978, in a show in Turin, Pistoletto outlined two key directions of his forthcoming works; Division and Multiplication of the Mirror and Art Takes On Religion. Throughout the rest of the twentieth century, Pistoletto continued to experiment. He experimented with sculpture, the mirror, theatre and performance, while collaterally exploring and developing the theoretics that such bodies of works inspired in him.
In the 1990s, the Cittadellarte – Fondazione Pistoletto was founded in Biella, Italy. “Third Paradise” was announced in 2004 as a new phase to his work and ten years later, in 2014, the symbol of the Third Paradise was installed in the headquarters of the European Union Council in Brussels. The Cittadellarte foundation and the global network of embassies, forums and partners give form to the Third Paradise by inciting widespread and noticeable social change.
His work has been included in major international exhibitions including Documenta 4, 7, 9, and 11 in Kassel (1968, 1982, 1992, and 1997) and the Venice Biennale (1966, 1976, 1978, 1984, 1986, 1993, 1995, 2003, 2005 and 2017). As well as exhibiting in some of the most important museums in the world like Louvre (Paris), MoMA (New York) and Tate (London), amongst many others. In 2016, he had his first solo show in Cuba. In 2018, he toured South America bringing two major exhibitions in Lima and Santiago de Chile. In 2019, Bienal Sur hosted “Circuito Pistoletto”, a section of the Biennial dedicated to the artist. In 2020, he unveiled some new Mirror Paintings, conceived just before the international pandemic, that he then went on to exhibit at Galleria Continua, San Gimignano until 2021.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui