BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
BOTTLE NECK exhibition view Galleria Continua, Dubai, 2024. Photo: Musthafa Aboobaker
Retour d'Égypte exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo
Retour d'Égypte exhibition view, 2023, GALLERIA CONTINUA, Paris. Photo: Allison Borgo
Beetle 2023, wood and matches, Plexiglas, 150 x 150 cm. Photo: Allison Borgo
Beetle 2023, wood and matches, Plexiglas, 150 x 150 cm. Photo: Allison Borgo
Tectonic Shift 2022, wood, 90 x 90 cm. Photo: Ela Bialkowska
Tectonic Shift 2022, wood, 90 x 90 cm. Photo: Ela Bialkowska
Come to Light , 2019, crystal, 45 x 30 x 30 cm. Photo: Ela Bialkowska, OKNO Studio
Come to Light , 2019, crystal, 45 x 30 x 30 cm. Photo: Ela Bialkowska, OKNO Studio
Om El Saad (The Slave Market) , 2019, cotton paper C-print on Dibond, 150 x 210 cm. Photo: Ela Bialkowska, OKNO Studio
Abeya (The Slave Market) , 2019, cotton paper C-print on Dibond, 150 x 210 cm. Photo: Ela Bialkowska, OKNO Studio
G Tower , 2019, gas tanks. Photo: Ela Bialkowska, OKNO Studio
G Tower , 2019, gas tanks. Photo: Ela Bialkowska, OKNO Studio
Shelter , 2019, wood. Photo: Ela Bialkowska, OKNO Studio
Shelter , 2019, wood. Photo: Ela Bialkowska, OKNO Studio
Apophis , 2019, wood. Photo: Ela Bialkowska, OKNO Studio
Apophis , 2019, wood. Photo: Ela Bialkowska, OKNO Studio
Shattered Glass , 2019, crystal, 88 x 140 cm. Photo: Ela Bialkowska, OKNO Studio
Shattered Glass , 2019, crystal, 88 x 140 cm. Photo: Ela Bialkowska, OKNO Studio
Petro Beads , 2019, 34 gas containers, metal site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Petro Beads , 2019, 34 gas containers, metal site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Sun Boat , 2018, wood, 3,5 x diameter 10 m, exhibition view at Jardin des Tuileries. Photo: Maxime Bessieres
Sun Boat , 2018, wood, 3,5 x diameter 10 m, exhibition view at Jardin des Tuileries. Photo: Maxime Bessieres
Sun Boat , 2018, wood, 3,5 x diameter 10 m, exhibition view at Jardin des Tuileries. Photo: Maxime Bessieres
The Mountain , 2017, video installation, 12 minutes. Photo: Oak Taylor-Smith
The Mountain , 2017, video installation, 12 minutes. Photo: Oak Taylor-Smith
The Mountain , 2017, video installation, 12 minutes. Photo: Ela Bialkowska, OKNO Studio
The Mountain , 2017, video, 12 minutes, video still.
The Mountain , 2017, video, 12 minutes, video still.
The Mountain , 2017, video installation, 12 minutes. Photo: Ela Bialkowska, OKNO Studio
The Minaret , 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm. Photo: Bernardo Ricci
The Minaret , 2016, wood, iron, light, crystal, 600 x 600 x 670 cm - wood sculpture: 500 x 300 x 300 cm. Photo: Bernardo Ricci
Rose (The slave Market) , 2016, cotton paper C-print on Dibond, from Una esclava en venta by José Jiménez Aranda (1837-1903), 185 cm x 146,5 cm, © Museo Nacional del Prado. Photo: Ela Bialkowska
Vacanze romane , 2013, 8 Vespa Piaggio, side: 170 cm. Photo: Cesare Bonifazi Martinozzi
Vacanze romane , 2013, 8 Vespa Piaggio, side: 170 cm. Photo: Cesare Bonifazi Martinozzi
Vacanze romane , 2013, 8 Vespa Piaggio, side: 170 cm. Photo: Cesare Bonifazi Martinozzi
The return of a Griffin , 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council. Photo: Ela Bialkowska
The return of a Griffin , 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council. Photo: Ela Bialkowska
The return of a Griffin , 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council. Photo: Cesare Bonifazi Martinozzi
The return of a Griffin , 2013, structure of polyurethane foam, leather, 160 x 130,5 x 64,4 about, This work was made possible through the invaluable contribution of Renato Corti SpA.The 3D model for fashioning the structure has been generously provided by the Visual Computing Laboratory of the Institute of Information Science and Technologies (CNR-ISTI), the Pisa National Research Council. Photo: Cesare Bonifazi Martinozzi
Arabesque I (Lost Heritage) , 2013, matches, wood, Plexiglas, 180 x 180 x 10 cm. Photo: Oak Taylor-Smith
Arabesque I (Lost Heritage) , 2013, matches, wood, Plexiglas, 180 x 180 x 10 cm. Photo: Alvaro Scarpellini, Pisa
Elshaab , 2012, 25 ceramic characters, about 27 x 6 x 10 cm each. Photo: Oak Taylor-Smith
Elshaab , 2012, 25 ceramic characters, about 27 x 6 x 10 cm each. Photo: Oak Taylor-Smith
Elshaab , 2012, 25 ceramic characters, about 27 x 6 x 10 cm each. Photo: Oak Taylor-Smith
Ballons , 2012, balloons, 70 x 21 x 21 cm each. Photo: Oak Taylor-Smith
Ballons , 2012, balloons, 70 x 21 x 21 cm each. Photo: Oak Taylor-Smith
Ballons , 2012, balloons, 70 x 21 x 21 cm each. Photo: Oak Taylor-Smith
Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm. Photo: Ela Bialkowska
Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm. Photo: Ela Bialkowska
Khayameya, 2011-2012, matches on wood, Plexiglas, 200 x 200 x 10 cm. Photo: Ela Bialkowska
The Maze (The People Want the Fall of the Regime) , 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m. Photo: Oak Taylor-Smith
The Maze (The People Want the Fall of the Regime) , 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m. Photo: Oak Taylor-Smith
The Maze (The People Want the Fall of the Regime) , 2011, Kufi caligraphy on grass site-specific project, Jardin des Tuileries, Paris, France (October 18 – 23, 2011), 28 x 2 8m. Photo: Oak Taylor-Smith
Merge and Emerge , 2011, 3 videos, 6’25” each, loop.
Merge and Emerge , 2011, 3 videos, 6’25” each, loop.
Merge and Emerge , 2011, 3 videos, 6’25” each, loop.
Merge and Emerge , 2011, 3 videos, 6’25” each, loop.
Merge and Emerge , 2011, 3 videos, 6’25” each, loop.
Merge and Emerge , 2011, 3 videos, 6’25” each, loop.
Moataz Nasr: a choral quest towards shared experiences and aspirations
Via multiple forms of artistic expression, including painting, sculpture, photography, video and drawing, Moataz Nasr addresses social, philosophical, historical, geographical and political issues. His realm of investigation emerges from his diverse roots that embrace the rest of the world. Firmly rooted in his birth place, but blending seamlessly with the broader contemporary society, the artist employs his geographical origins as a pretext to go beyond political and religious borders. He projects himself into a dialogue with different histories and cultures. His entire body of work expresses this desire to visualize collective dynamics, starting with a careful and sensitive documentation of personalities which are both individual and universal.