The Eminent Direction of Thoughts 2017, wooden chairs, strings. Photo Ela Bialkowska, OKNO Studio
The Eminent Direction of Thoughts 2017, wooden chairs, strings. Photo Ela Bialkowska, OKNO Studio
The Eminent Direction of Thoughts 2017, wooden chairs, strings. Photo Ela Bialkowska, OKNO Studio
The Rope of Life 1985-2018, installation, mixed media. Photo Ela Bialkowska, OKNO Studio
The Rope of Life 1985-2018, installation, mixed media. Photo Ela Bialkowska, OKNO Studio
The Rope of Life 1985-2018, installation, mixed media. Photo Ela Bialkowska, OKNO Studio
ILYA & EMILIA KABAKOV , exhibition view, Galleria Continua, San Gimignano, May 2016, Photo Ela Bialkowska
ILYA & EMILIA KABAKOV , exhibition view, Galleria Continua, San Gimignano, May 2016, Photo Ela Bialkowska
ILYA & EMILIA KABAKOV , exhibition view, Galleria Continua, San Gimignano, May 2016, Photo Ela Bialkowska
ILYA & EMILIA KABAKOV , exhibition view, Galleria Continua, San Gimignano, May 2016, Photo Ela Bialkowska
ILYA & EMILIA KABAKOV , exhibition view, Galleria Continua, San Gimignano, May 2016, Photo Ela Bialkowska
ILYA & EMILIA KABAKOV , exhibition view, Galleria Continua, San Gimignano, May 2016, Photo Ela Bialkowska
The Arch of Life , 2015, 5 Fiberglass sculptures, wood, installation, variable dimensions, Photo Ela Bialkowska
The Arch of Life , 2015, 5 Fiberglass sculptures, wood, installation, variable dimensions, Photo Ela Bialkowska
The Arch of Life , 2015, 5 Fiberglass sculptures, wood, installation, variable dimensions, Photo Ela Bialkowska
The Arch of Life , 2015, 5 Fiberglass sculptures, wood, installation, variable dimensions, Photo Ela Bialkowska
The Tribune , 2011, mixed materials, installation, variable dimension, Photo Ela Bialkowska
The Tribune , 2011, mixed materials, installation, variable dimension, Photo Ela Bialkowska
The Tribune , 2011, mixed materials, installation, variable dimension, Photo Ela Bialkowska
How Can One Change Oneself , 2010, wings, mixed media, installation, variable dimensions, Photo Ela Bialkowska
How Can One Change Oneself , 2010, wings, mixed media, installation, variable dimensions, Photo Ela Bialkowska
How Can One Change Oneself , 2010, wings, mixed media, installation, variable dimensions, Photo Ela Bialkowska
The Paradise under the ceiling , 1997-2009, room with door, 2 wooden shelf 90°, 8 lamps, plastic animals, 300 x 420 x 250 cm, Photo Ela Bialkowska
The Paradise under the ceiling , 1997-2009, room with door, 2 wooden shelf 90°, 8 lamps, plastic animals, 300 x 420 x 250 cm, Photo Ela Bialkowska
The Paradise under the ceiling , 1997-2009, room with door, 2 wooden shelf 90°, 8 lamps, plastic animals, 300 x 420 x 250 cm, Photo Ela Bialkowska
The Paradise under the ceiling , 1997-2009, room with door, 2 wooden shelf 90°, 8 lamps, plastic animals, 300 x 420 x 250 cm, Photo Ela Bialkowska
Untitled , 2004, drawing, 33 x 24 cm, Photo Ela Bialkowska
The Fallen Angel , 1997-2004, painted fiberglass figure, wings and cloth, 255 x 415 x 350 cm, Photo Ela Bialkowska
The Fallen Angel , 1997-2004, painted fiberglass figure, wings and cloth, 255 x 415 x 350 cm, Photo Ela Bialkowska
I. Spivak: In the Village 1997 (2004) , 2004, oil on canvas, 282 x 188 cm
We are also weary , 2003, plastic flies on wall, variable dimensions, Photo Ela Bialkowska
We are also weary , 2003, plastic flies on wall, variable dimensions, Photo Ela Bialkowska
We are also weary , 2003, plastic flies on wall, variable dimensions, Photo Ela Bialkowska
Romeo e Giulietta , 2001, wood and wire, 190 x 30 x 40 cm, Photo Ela Bialkowska
Romeo e Giulietta , 2001, wood and wire, 190 x 30 x 40 cm, Photo Attilio Maranzano
Romeo e Giulietta , 2001, wood and wire, 190 x 30 x 40 cm, Photo Attilio Maranzano
CHARLES ROSENTHAL 1913 Pianista e Musa , 2001, glazed ceramic on wood base, sculpture cm 21 x 61 x 36,5 ; base cm 113 x 77 x 50, Photo Daniel Moulinet
CHARLES ROSENTHAL 1913 Pianista e Musa , 2001, glazed ceramic on wood base, sculpture cm 21 x 61 x 36,5 ; base cm 113 x 77 x 50, Photo Daniel Moulinet
The rest before the road , 2001, wood, P.V.C., rope, m 4,5 x 5 x diam.120, Photo Attilio Maranzano
Tennis Game Conversazione fra Ilya Kabakov e Boris Groys , 1999-2001, installation mixed media, 1200 x 2000 cm, Photo Attilio Maranzano
Tennis Game Conversazione fra Ilya Kabakov e Boris Groys , 1999-2001, installation mixed media, 1200 x 2000 cm, Photo Attilio Maranzano
Tennis Game Conversazione fra Ilya Kabakov e Boris Groys , 1999-2001, installation mixed media, 1200 x 2000 cm, Photo Attilio Maranzano
Ilya & Emilia Kabakov: evoking immersive narratives and dreamlike worlds in their art
Ilya and Emilia Kabakov’s artistic partnership spans decades, producing thought-provoking artworks that transport viewers into surreal and introspective realms. The Kabakovs' installations often invite viewers into meticulously crafted scenes, blurring the lines between reality and imagination. Known for their use of scale and perspective, they challenge viewers to reconsider their perceptions of space and environment. Through their art, the Kabakovs explore themes of memory, utopia, and the human experience, creating poignant narratives that resonate with a sense of longing and nostalgia. Whether through their iconic 'The Rope of Life' or the 'The Paradise under the ceilings,' their works continue to captivate audiences worldwide, inviting contemplation and reflection on the complexities of the human condition.