
'Ferita' 2023, exhibition view Galleria Continua, The St. Regis, Roma. Photo: Giorgio Benni
'Ferita' 2023, exhibition view Galleria Continua, The St. Regis, Roma. Photo: Giorgio Benni
'Ferita' 2023, exhibition view Galleria Continua, The St. Regis, Roma. Photo: Giorgio Benni
Anamorphose, Rome 2023 2023, four-colour recto printing UVLED on PVC-free, ALUFLOOR, aluminium adhesive with R11 anti-slip certification, 815 x 423,6 cm. Photo: Giorgio Benni
Trompe l'oeil, Les Falaises du Trocadéro, 19 Mai 2021, 19h57, Paris, France, 2021 2021, triptych, color print, mounted on dibond, matte plexiglass, flushed walnut frame, 244 x 364 cm total dimensions. Photo: Giorgio Benni
Punto di Fuga, 21 Juillet 2021, 05h48, Rome, Italie, 2021 2021, color print, mounted on Dibond, matte Plexiglas, flushed walnut frame, 123 x 183 x 6,5 cm. Photo: Giorgio Benni
La Ferita, Work In Progress #2, Palazzo Strozzi, Florence, Italie, 2021 2021, Relief ink jet print, laser cut cardboard, steel and plexiglass, 130 x 70 cm. Photo: Giorgio Benni
Déplacé.e.s, Valeriia, Lviv, Ukraine, 2022, 2022, four-colour print on paper, mounted on cotton canvas, aluminium chassis, offset plate, light oak frame, 230 x 168,5 cm, 90.5 x 66.5 in
Trompe l'oeil, Greetings from Giza, 23 Octobre 2021, 12h42, Giza, Egypte, 2021 2021, color print, mounted on Dibond, mat plexiglas, american flushed walnut frame, 123 x 183 x 6,5 cm, 48.42 x 72.04 x 2.55 in. Photo: the artist
Punto di Fuga, 23 Juillet 2021, 11H13, Rome, Italie, 2021 2021, color print, mounted on Dibond, mat plexiglas, american flushed walnut frame, 183 x 123 x 6.5 cm, 72.04 x 48.42 x 2.55 in. Photo: the artist
La Ferita (The Wound) 2021, Palazzo Strozzi, Florence. Photo by OKNOstudio
To the point, 2021 2021, inkjet print on pasted paper, site specific dimensions. Photo: Sara De Santis
Untitled 2020, paper. Installation view GALLERIA CONTINUA / São Paulo. Photo: the artist
Untitled 2020, paper. Installation view GALLERIA CONTINUA / São Paulo. Photo: the artist
Omelia Contadina, Processione, 7 septembre 2020, 18h17, Venise, Italie, 2020 2020, color print, Dibond, mat Plexiglas, american flushed oak frame, 100 x 150 cm | 39,5 x 59 in unframed, 103 x 153 x 6,5 cm | 40.5 x 60 x 2.5 in framed. Photo: Ela Bialkowska, OKNO Studio
Omelia Contadina, Basilica San Giorgio Maggiore, 7 septembre 2020, 19h33, Venise, Italie, 2020 2020, color print, Dibond, mat Plexiglas, american flushed oak frame, 150 x 100 cm | 59 x 39,5 in, unframed, 153 x 103 x 6,5 cm | 60 x 40,5 x 2,5 in, framed. Photo: the artist
Omelia contadina, Iris Pulvano 2020, theater installation at Galleria Continua. Photo: Ela Bialkowska, OKNO Studio
Omelia Contadina 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Omelia Contadina 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Omelia Contadina 2020, A cinematic action by JR and Alice Rohrwacher. Together with the inhabitants of the Alfina plateau, video, 9'55”. Photo: Ela Bialkowska, OKNO Studio
Omelia Contadina, Processione, San Gimignano, Italia, 2020, performance 26 September, San Gimignano. Photo: JR
Omelia Contadina, Processione, San Gimignano, Italia, 2020, performance 26 September, San Gimignano. Photo: JR
Omelia contadina, Elisa Cortese, Processione, Tryptique, Castel Giorgio, Italie, 2019, Color print, dibond, mat plexiglass, american flushed maple frame, 160 x 260 x 9 cm in total (3 pannels), 66,92 x 102,36 x 3,54 in. Photo: Ela Bialkowska, OKNO Studio
Omelia contadina, Dario Sforza, Sepoltura, Tryptique, Castel Giorgio, Italie, 2019, Color print, dibond, mat plexiglass, american flushed maple frame 160 x 260 x 9 cm in total (3 panels), 62,99 x 102,36 x 3,54 in. Photo: Ela Bialkowska, OKNO Studio
Omelia contadina, Paper Block #4, Castel Giorgio, Italie, 2020, Colour print, synthetic plaster 55 x 40 x 8 cm, 21,68 x 15,74 x 3,14 in. Photo: Ela Bialkowska, OKNO Studio
Omelia Contadina 2020, exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio
Omelia contadina, Paper Block #3, Castel Giorgio, Italie, 2020, Colour print, synthetic plaster, 55 x 40 x 8 cm, 21,68 x 15,74 x 3,14 in. Photo: Ela Bialkowska, OKNO Studio
Omelia contadina, Dario Sforza, Stained Glass, Castel Giorgio, Italie, 2020, Handblown glass, cut, printed, fired, leaded, cemented, Windbars and alder wooden frame, 237 x 103 X 8 cm, 90,30 x 40,55 x 3,14 in. Photo: Ela Bialkowska, OKNO Studio
Omelia contadina, Iris Pulvano, Sepoltura, Onano, Italie, 2019, Color print, dibond, mat plexiglass, american flushed maple frame, 190 x 140 x 9 cm, 74,80 x 55,11 x 3,54 in. Photo: Ela Bialkowska, OKNO Studio
Omelia contadina, Emanuele La Barbera, Processione, Castel Giorgio, Italie, 2019, Color print, dibond, mat plexiglass, american flushed maple frame, 190 x 140 x 9 cm, 74,80 x 55,11 x 3,54 in. Photo: Ela Bialkowska, OKNO Studio
Omelia contadina, Dario Sforza, Sepoltura, Castel Giorgio, Italie, 2019, Color print, dibond, mat plexiglass, american flushed maple frame, 190 x 140 x 9 cm, 74,80 x 55,11 x 3,54 in. Photo: Ela Bialkowska, OKNO Studio
Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith
Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith
Inside Out – Pouvoir & Pouvoir, 2019. Inkjet print on pasted paper. Site specific dimensions. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana; Kader Attia, Le grand miroir du monde (detail), 2017. Mirrors. Site specific dimensions. Photo: Oak Taylor-Smith
Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
Inside Out project - Pouvoir & Pouvoir, Galleria Continua / Les Moulins, 23 June 2019. Courtesy JR Inside Out & GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Oak Taylor-Smith
JR au Louvre et le Secret de la Grande Pyramide, 29 Mars 2019, 18H08 , Pyramide, architecte I. M. Pei, musée du Louvre, Paris, France, 2019 2019, four color print on paper, mounted on a cotton canvas, aluminium frame, offset printing plate, silkscreen printing, light oak frame, 185 x 281 x 6,5 cm, 72.83 x 110.63 x 2.55 in. Photo: the artist
GIANTS, Alain, April 13, 08.22 p.m., Havana, Cuba, 2019 2019, four color print on paper, mounted on a cotton canvas, aluminium frame, offset printing plate, silkscreen printing, light oak frame, 163 x 122 x 6,5 cm, 64.17 x 48.03 x 2.55 in. Photo: the artist
GIANTS, PEEKING AT THE CITY, HAVANA, CUBA, 2019. Photo: Abel Rojas Barallobre
GIANTS, PEEKING AT THE CITY, HAVANA, CUBA, 2019. Photo: Leonardo Santiesteban
GIANTS, PEEKING AT THE CITY, HAVANA, CUBA, 2019. Photo: Nestor Kim
GIANTS, PEEKING AT THE CITY, HAVANA, CUBA, 2019. Photo: Nestor Kim
GIANTS, PEEKING AT THE CITY, HAVANA, CUBA, 2019. Photo: Nestor Kim
Tehachapi, Sunset, Triptych, U.S.A., 2019 2019, color print, mounted on dibond, mat plexiglass, american flushed walnut frame, 160 x 259,6 x 9 cm | 63 x 102 x 3,5 in framed, right panel: 160 x 86 x 9 cm | 63 x 34 x 3,5 in, central panel: 160 x 81 x 9 cm | 63 x 32 x 3,5 in, left panel: 160 x 86 x 9 cm | 63 x 34 x 3,5 in. Photo: the artist
Women Are Heroes, Elizabeth Kamanga on sea, Quadrichromie, Le Havre, France, 2018 2018, four color print on paper, mounted on a cotton canvas, wood, frame, offset printing plate, 100 x 149,5 x 6,5 cm, 39.17 x 58.85 x 2.55 in. Photo: Duccio Benvenuti - Art Store
Ballet, Ballerina behind curtains, New York, USA 2015, color print, mounted on Dibond, Plexiglas, flushed wooden black frame, 228 x 244 cm
Unframed, Arriving on Ellis Island #8, ink on wood, U.S.A 2014, ink on wood, black american frame, 156 x 208 cm
Unframed, Doctors and nurses performing surgery in an operating room in the Ellis Island Main Hospital revu par JR, courtesy of National Park Service, Statue of Liberty National Monument & National Archives, U.S.A. 2014, color print, mounted on Dibond, Plexiglas, flushed wooden black frame, 125 x 187 cm
The Wrinkles of The City, La Havana, Onelia López Ruiz, (collaboration between JR & José Parlá) Cuba, 2012 2012, color print, Dibond, Plexiglas, flushed wooden black frame, 125 x 188 x 7 cm, 49 x 74 x 3 in. Photo: the artist
JR, born in Paris in 1983, is an artist who exhibits freely in the streets, communities and public spaces around the world. His work confronts Art and Action and often incorporates members of the public. He makes them the protagonists of works that then go on to enhance their communities and public spaces.
JR's street art career developed into photography when in 2001 he found a camera in the Paris Metro. He is the originator of the 28 Millimeters Project which he started in Clichy-Montfermeil in 2004 and continued in the Middle East with Face 2 Face (2007), in Brazil and Kenya for Women Are Heroes (2008-2011).
In 2011 he received the Ted Prize, giving him the opportunity to make a vow to change the world. He created Inside Out, an international participatory art project. This project allows people from around the world to receive a print of their portrait and then billboard it as support for an idea, a project, an action and share that experience.
In 2013, the first retrospectives of JR's work took place in Tokyo at the Watari-Um Museum and the Cincinnati Contemporary Arts Center. These were followed by exhibitions at the Frieder Burda Museum in Baden Baden in 2014, and at the HOCA Foundation in Hong Kong in 2015. He exhibited in 2018 at the Maison Européenne de la Photographie in Paris and in 2019 at the San Francisco Museum of Modern Art (SFMOMA) and the Brooklyn Museum. More recent projects include a collaboration with the New York City Ballet and an artistic intervention in the abandoned hospital of Ellis Island. JR at the Louvre was a project in which he made the pyramid disappear. He also created sculptural installations at the Olympic Games in Rio, a movie with Agnès Varda "Faces, Place”s that won the Golden Eye (for best documentary) and an art activation within the walls of Tehachapi Correctional Institution.
Street artist JR’s art is about confronting the public within their communities and encouraging a questioning and a conversation around the structure and dynamics of our society.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui