Nadine in Panicale, Una Boccata d'Arte 2022, Panicale (PG), Umbria. Courtesy: Fondazione Elpis. Ph Daniele Mattioli
Nadine in Panicale, Una Boccata d'Arte 2022, Panicale (PG), Umbria. Courtesy: Fondazione Elpis. Ph Daniele Mattioli
El Acto Total 2019, site specific, openwork text on curtain, variable dimensions. Photo: Nestor Kim
‘El Acto Total’ Exhibition view. Photo: Nestor Kim
Hombre de mármol 2019, oil on marble engraving, variable dimensions. Photo: Nestor Kim
Espectros 2019, Ceramic on galvanized pedestal, variable dimensions. Photo: Nestor Kim
Línea quebrada (homenaje a Tobías Mayer) / Broken line (homage to Tobías Mayer) 2020, Triptych, Oil on canvas, 200 x 140 cm (each). Photo: Nestor Kim
Línea quebrada (homenaje a Tobías Mayer) / Broken line (homage to Tobías Mayer) 2020, Triptych, Oil on canvas, 200 x 140 cm (each). Photo: Nestor Kim
Los hombres huecos 2019, ceramic and enamelled paint, variable dimensions. Photo: Nestor Kim
Prótesis 2019, performance, interpretation of the seven-piece Suite for female choir and electronic media, based on the homonymous poems, ‘Prosthesis’, Authors: Ramón Hondal, Santiago Barbosa, Esteban Bruzón, Luis López-Chávez. Performed by: Luna Vocal Ensemble. 01:00 h. Photo: Nestor Kim
Una terrible coincidencia 2019, Ceramic tops, variable dimensions. Photo: Nestor Kim
The sorrow (essay on the stolen letter) 2018. Photo Nestor Kim
The sorrow (essay on the stolen letter) 2018. Photo Nestor Kim
White Noise (no melody for apolitical objects) 2018, 08:00 min. Luis López-Chávez & Adrian Curbelo. Photo Nestor Kim
White Noise (no melody for apolitical objects) 2018, 08:00 min. Luis López-Chávez & Adrian Curbelo. Photo Nestor Kim
White Noise (no melody for apolitical objects) 2018, 08:00 min. Luis López-Chávez & Adrian Curbelo. Photo Nestor Kim
La Educación Sentimental, 2017, black paint, plaster figures, installation view Continua Sphères ENSEMBLE, LE CENTQUATRE-PARIS 2017. Photo Oak Taylor-Smith
La Educación Sentimental, 2017, black paint, plaster figures, installation view Continua Sphères ENSEMBLE, LE CENTQUATRE-PARIS 2017. Photo Oak Taylor-Smith
La Educación Sentimental, 2017, black paint, plaster figures, installation view Nido Sin Arbol, UNAICC Unión Nacional de Architectos e Ingenieros de la Contrucción de Cuba, 2016
Los síntomas del engaño, 2015, 10 different types of poisons produced with toxic Cuban plants, each one dedicated to a contemporary living artist. Flasks with dropper, labels, box, instructions, Plexiglass display cases, Ph Delfino Sisto Legnani e Marco Cappelletti
Serie La Distancia: El encargo #1, 2017, oil on linen, 190 x 240 cm. Ph Oak Taylor-Smith
Serie La Distancia: El encargo #1, 2017, oil on linen, 190 x 240 cm. Ph Oak Taylor-Smith
Serie La Distancia: Sin título, 2014, oil on linen, 120 x 135 cm. Ph Oak Taylor-Smith
Serie La Distancia: Sin título, (detail) 2014, oil on linen, 120 x 135 cm. Ph Oak Taylor-Smith
Serie La Distancia: El encargo #2, 2017, oil on linen, 190 x 240 cm. Ph Oak Taylor-Smith
Serie La Distancia: El encargo #2, (detail) 2017, oil on linen, 190 x 240 cm. Ph Oak Taylor-Smith
ST, 2016, oil on canvas, 200 x 140 cm, Ph Andrea Rossetti
Serie La Distancia: Sin título, 2014, oil on linen, 120 x 135 cm. Ph Oak Taylor-Smith
Serie La Distancia: Sin título, (detail) 2014, oil on linen, 120 x 135 cm. Ph Oak Taylor-Smith
Contra los Poetas, 2017, Installation, fragments of wood, paint on polyurethane and table, variables dimensions. Ph Oak Taylor-Smith
La Mina (Estudio sobre el falso narrador), 2018. Photo Nestor Kim
Luis López-Chávez’s is particularly interested in the plastic form. He works in many different mediums including painting, installation (object or sculptural) and video art. These medium change their nature in the work process, according to the references with which the creation has been generated. His works often include familiar objects or images, like repeating photographic images of sets of eyes, repeating tile-like patterns, or ceramics. Luis López-Chávez is on a determined pursuit to investigate human processes and the interconnection of these with different iterations of the community – this can be seen more concretely in his work on urban graffiti, which in turn present ways in which to possibly read contemporary Cuban society.
Adel Abdessemed Etel Adnan Ai Weiwei Leila Alaoui Juan Araujo Kader Attia Barbana Bojadzi Daniel Buren Cai Guo-Qiang Alejandro Campins Iván Capote Yoan Capote Loris Cecchini Elizabet Cerviño Chen Zhen Nikhil Chopra Marcelo Cidade Carlos Cruz-Diez Jonathas de Andrade Berlinde De Bruyckere Leandro Erlich Carlos Garaicoa Osvaldo González Antony Gormley Gu Dexin Shilpa Gupta Subodh Gupta Carsten Höller Eva Jospin JR Ilya & Emilia Kabakov Zhanna Kadyrova Kan Xuan Anish Kapoor André Komatsu Jannis Kounellis Julio Le Parc Luis López-Chávez Jorge Macchi Ahmed Mater Cildo Meireles José Mesías Sabrina Mezzaqui Moataz Nasr Rudi Ninov Giovanni Ozzola Ornaghi & Prestinari Hans Op de Beeck Michelangelo Pistoletto Susana Pilar Qiu Zhijie Tobias Rehberger Arcangelo Sassolino Manuela Sedmach Serse Kiki Smith Nedko Solakov Marta Spagnoli José Antonio Suárez Londoño Hiroshi Sugimoto Sun Yuan & Peng Yu Ana Maria Tavares Pascale Marthine Tayou Armando Testa Nari Ward Sislej Xhafa José Yaque Zhuang Hui
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