TEND 2024, Mild steel bar, 166,5 x 63,9 x 42 cm. Photo: Stephen White & Co. © the Artist
Installation view, Living Time , TAG Art Museum, Qingdao, 2023 © the artist Photographer © 黄少丽 Shao Li
Installation view, Living Time , TAG Art Museum, Qingdao, 2023 © the artist Photographer © 黄少丽 Shao Li
Installation view, Living Time , TAG Art Museum, Qingdao, 2023 © the artist Photographer © 黄少丽 Shao Li
Installation view, Living Time , TAG Art Museum, Qingdao, 2023 © the artist Photographer © 黄少丽 Shao Li
SPACE 2021, 2 mm square section stainless steel bar, dimensions variable. Photo: Ela Bialkowska, OKNO Studio. © the Artist
SPACE 2021, 2 mm square section stainless steel bar, dimensions variable. Photo: Ela Bialkowska, OKNO Studio. © the Artist
'BODY SPACE TIME' exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio. © the Artist
'BODY SPACE TIME' exhibition view Galleria Continua, San Gimignano. Photo: Ela Bialkowska, OKNO Studio. © the Artist
FRAME II 2021, aluminium, square tube 5 mm. Photo: Ela Bialkowska, OKNO Studio. © the Artist
FRAME II 2021, aluminium, square tube 5 mm. Photo: Ela Bialkowska, OKNO Studio. © the Artist
SUSPEND 2020, Cast iron, 239,3 x 74 x 71,5 cm, 94.21 x 29.13 x 28.14 in. Photo: Ela Bialkowska, OKNO Studio. © the Artist
RELIEF III 2021, Cast iron and high tensile steel, 33,8 x 199,2 x 42,7 cm, 13.30 x 78.42 x 16.81 in. Photo: Ela Bialkowska, OKNO Studio. © the Artist
HEAVE (BLOCK) 2020, Cast iron, 63,8 x 45,2 x 90,5 cm, 25.11 x 17.79 x 35,62 in. Photo: Ela Bialkowska, OKNO Studio. © the Artist
SLUMP II 2019, Cast iron, 75,9 x 39 x 123,5 cm. Photo: Stephen White & Co. © the Artist
SLUMP II 2019, Cast iron, 75,9 x 39 x 123,5 cm. Photo: Stephen White & Co. © the Artist
LOUNGE 2019, Cast iron, 60,5 x 156,5 x 91,5 cm. Photo: Stephen White & Co. © the Artist
LOUNGE 2019, Cast iron, 60,5 x 156,5 x 91,5 cm. Photo: Stephen White & Co. © the Artist
BREATHING ROOM II 2010, aluminium tube 25 x 25 mm, Phosphor H15, and plastic spigots, 386 x 857 x 928 cm. Photo: Andrea Rossetti. Installation view Art Basel Unlimited 2019. © the Artist
BREATHING ROOM II 2010, aluminium tube 25 x 25 mm, Phosphor H15, and plastic spigots, 386 x 857 x 928 cm. Photo: Andrea Rossetti. Installation view Art Basel Unlimited 2019. © the Artist
BREATHING ROOM II 2010, aluminium tube 25 x 25 mm, Phosphor H15, and plastic spigots, 386 x 857 x 928 cm. Photo: Andrea Rossetti. Installation view Art Basel Unlimited 2019. © the Artist
BREATHING ROOM II 2010, aluminium tube 25 x 25 mm, Phosphor H15, and plastic spigots, 386 x 857 x 928 cm. Photo: Andrea Rossetti. Installation view Art Basel Unlimited 2019. © the Artist
ESSERE 2019. Installation view, Le Gallerie Degli Uffizi, Florence, Italy. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
ESSERE 2019. Installation view, Le Gallerie Degli Uffizi, Florence, Italy. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
ESSERE 2019. Installation view, Le Gallerie Degli Uffizi, Florence, Italy. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
ROOM 1980, Socks, shoes, pants, trousers, shirt, pullover, vest, jacket and wood, Dimensions variable. Installation view, ESSERE, Le Gallerie Degli Uffizi, Florence, Italy, 2019. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
ANOTHER TIME VI 2007, Cast iron, 191 x 59 x 36 cm. Installation view, ESSERE, Le Gallerie Degli Uffizi, Florence, Italy, 2019. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
SETTLEMENT IV 2018, Variable stainless steel blocks, 22.9 x 61 x 205.2 cm. Installation view, ESSERE, Le Gallerie Degli Uffizi, Florence, Italy, 2019. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
SETTLEMENT IV 2018, Variable stainless steel blocks, 22.9 x 61 x 205.2 cm. Installation view, ESSERE, Le Gallerie Degli Uffizi, Florence, Italy, 2019. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
EVENT HORIZON 2012, Fibreglass, 197 x 58 x 31 cm. Installation view, ESSERE, Le Gallerie Degli Uffizi, Florence, Italy, 2019. Courtesy GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photograph by Ela Bialkowska, OKNO STUDIO. © the artist
Muse 2018, Cast iron, 71,5 x 67,1 x 59,6 cm. Photo: Stephen White & Co. © the Artist
LOST HORIZON II , 2017, bungee cord, site specific dimensions, Photo Ela Bialkowska, OKNO Studio
LOST HORIZON II , 2017, bungee cord, site specific dimensions, Photo Ela Bialkowska, OKNO Studio
LOST HORIZON II , 2017, bungee cord, site specific dimensions, Photo Ela Bialkowska, OKNO Studio
LOST HORIZON II , 2017, bungee cord, site specific dimensions, Photo Ela Bialkowska, OKNO Studio
LOST HORIZON II , 2017, bungee cord, site specific dimensions, Photo Ela Bialkowska, OKNO Studio
STAY VI , 2017, 6 mm square section mild steel bar, 119 x 48 x 107 cm, Photo Ela Bialkowska
BROKEN MEAN II 2017, 16 mm square section mild steel bar, 166,4 x 49,8 x 48,2 cm. Photo: Ela Bialkowska, OKNO Studio. © the Artist
SIGNAL 2012, 6 mm square section mild steel bar, 25 x 57 x 222 cm. Photo: Ela Bialkowska, OKNO Studio. © the Artist
SIGNAL 2012, 6 mm square section mild steel bar, 25 x 57 x 222 cm. Exhibition ‘Fantastic Utopias’ Ala Scaligera, Rocca di Angera, 2020. Photo: Ela Bialkowska, OKNO Studio. © the Artist
SIGNAL 2012, 6 mm square section mild steel bar, 25 x 57 x 222 cm. Exhibition ‘Fantastic Utopias’ Ala Scaligera, Rocca di Angera, 2020. Photo: Ela Bialkowska, OKNO Studio. © the Artist
HOST , 2016, Clay and seawater, overall depth: 23 cm, Photo Oak Taylor-Smith
HOST , 2016, Clay and seawater, overall depth: 23 cm, Photo Oak Taylor-Smith
HOST , 2016, Clay and seawater, overall depth: 23 cm, Photo Oak Taylor-Smith
HOST , 2016, Clay and seawater, overall depth: 23 cm, Photo Oak Taylor-Smith
HUMAN , exhibition view, Forte di Belvedere, Florence, Italy, 2015, Photo Ela Bialkowska . Courtesy Galleria Continua and White Cube. © The Artist
HUMAN , exhibition view, Forte di Belvedere, Florence, Italy, 2015, Photo Pietro Savorelli. Courtesy Galleria Continua and White Cube. © The Artist
HUMAN , exhibition view, Forte di Belvedere, Florence, Italy, 2015, Photo Ela Bialkowska . Courtesy Galleria Continua and White Cube. © The Artist
HUMAN , exhibition view, Forte di Belvedere, Florence, Italy, 2015, Photo Emiliano Cribari . Courtesy Galleria Continua and White Cube. © The Artist
HUMAN, exhibition view, Forte di Belvedere, Florence, Italy, 2015, Photo Pietro Savorelli. Courtesy Galleria Continua and White Cube. © The Artist
HUMAN , exhibition view, Forte di Belvedere, Florence, Italy, 2015, Photo Ela Bialkowska . Courtesy Galleria Continua and White Cube. © The Artist
SMALL VICE VI 2016, Cast iron, 33 x 30 x 29 cm. Photo: Stephen White, London. © the Artist
SMALL WAIT 2015, Cast iron, 40 x 22 x 34,5 cm. Photo Stephen White, London. © the artist
BOARD 2015, Cast iron, 33 x 161,5 x 57 cm. Photo: Stephen White, London. © the Artist
OPEN MODEL 2016, 4 mm Corten steel, 27,3 x 170 x 71,4 cm. Photo Stephen White, London.
COTCH III 2016, carbon and casein on paper, 112 x 76,5 cm. Photo: the Artist. © the Artist
WAIT 2014, carbon and casein on paper, 37,3 x 28 cm. Photo: the Artist. © the Artist
JOIN 2012, Cast Iron, 58 x 47 x 129 cm. Photo: Stephen White & Co. © the Artist
VESSEL , 2012, Cor-Ten steel, M16 countersunk steel screws, 370 x 2200 x 480 cm, Photo Ela Bialkowska
VESSEL , 2012, Cor-Ten steel, M16 countersunk steel screws, 370 x 2200 x 480 cm, Photo Ela Bialkowska
VESSEL , 2012, Cor-Ten steel, M16 countersunk steel screws, 370 x 2200 x 480 cm, Photo Ela Bialkowska
VESSEL , 2012, Cor-Ten steel, M16 countersunk steel screws, 370 x 2200 x 480 cm, Photo Ela Bialkowska
2 X 2 II , 2012, Marble, Each figure: 194 x 47 x 40 cm, Photo Ela Bialkowska
SUM , 2012, Cast iron, 22 x 289 x 476 cm, Photo Ela Bialkowska
FALL 2009, 6 mm square section mild steel bar, 222 x 167 x 185 cm. Photo: Ela Bialkowska, OKNO Studio. © the Artist
Rain VI 2009, Carbon and casein on paper, 77 x 111 cm. Photo: Prudence Cuming Associates, London. © the Artist
Antony Gormley: Widely Acclaimed British Sculptor
Antony Gormley is a distinguished British artist perhaps best known for his Angel of the North – a permanent national landmark in the UK, and Field – the collectively generated work involving thousands of small clay figurines that have filled entire museum spaces across the globe. The human body is a central theme in Gormley’s work, emerging out of his engagement with archaeology, anthropology and Asian and Buddhist thought, as much as out of Western sculptural tradition. The artist uses his own body, as well as those of others, as a starting point to create works that, through their particular arrangement in space, confront fundamental questions about where human beings stand in relation to nature and the cosmos. His in-depth research into the body as a symbol of memory and transformation has given a new dimension to sculpture in the twentieth and twenty-first century.
Antony Gormley’s work has been widely exhibited, recently in a major solo show at the Royal Academy, London (2019) and a new temporary large-scale commission for Brooklyn Park, New York, entitled New York Clearing (2020). In 2019, the artist also presented the exhibition “Essere” at the Uffizi in Florence, where he brought together works of different materials and scales. At the centre of the show were two major sculptures, Passage and Room, made 35 years apart. The exhibition was predicated on the dialogue between these key works, and stasis and movement: imaginative and actual space. Describing his intentions for the show, the artist said: "I use the indexical impression of my own living body rather than mimesis to make work that both displaces and encloses, to engage and activate attention. "