
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - L'albero 1983, rigid polyurethane and acrylic, 400 x 300 x 150 cm. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Il Rispetto (general view) 2016, mirror, colored wood and gilded frame, 250 x 150 cm each. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - MICHELANGELO PISTOLETTO Superfici scolpite e dipinte 1985, anonymus material, 204 x 280 x 70 cm; PASCALE MARTHINE TAYOU Universalis 2019, walldrawing, site specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - Dressed Bricks & Colored Stones 1968-2019, clothes, bricks and colored stones, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Grande sfera di giornali (Progetto per un museo) 1966-2019, macerated and pressed newspaper, Ø 340 cm. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Grande sfera di giornali (Progetto per un museo) 1966-2019, macerated and pressed newspaper, Ø 340 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - DAILY LIFE 2019, neon and LED signs, site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - DAILY LIFE 2019, neon and LED signs, site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - DAILY LIFE 2019, neon and LED signs, site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Le maschere - il Barocco 1969, photographs, 5 elements, 55,5 x 46 cm each. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Me as my Mother 2010, 6 photographs, 54 x 70,5 cm each. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Rotazione dei corpi 1989, photographic print on Plexiglas, wood, led lights, 70 x 137 x 137 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - FETISH WALL 2019 rusted nails, paint, site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - FETISH WALL 2019 rusted nails, paint, site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - FETISH WALL 2019 rusted nails, paint, site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - FETISH WALL 2019 rusted nails, paint, site-specific dimensions. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Lima - Vestizione n.2 2018, silkscreen on super mirror stainless steel, 170 x 125 cm. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Lima - Vestizione n.2 2018, silkscreen on super mirror stainless steel, 170 x 125 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Shanghai Colonial 2019, wooden sculptures, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - L'etrusco 1976, bronze, 194 x 90 x 80 cm. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Uno specchio rotto 2019, mirror and frames, variable dimension. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Shanghai Colonial 2019, wooden sculptures, variable dimensions. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - 'Una cosa non esclude l’altra' exhibition view, Galleria Continua, San Gimignano, 2019. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - MICHELANGELO PISTOLETTO Nicchia 1989, wood and acrylic, 201 x 220 x 50 cm; PASCALE MARTHINE TAYOU Totem Cristal 2019, crystal, mixed media, about 2 meters high. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - MICHELANGELO PISTOLETTO Nicchia 1989, iron, 201 x 220 x 50 cm; PASCALE MARTHINE TAYOU Totem Cristal 2019, crystal, mixed media, about 2 meters high. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - MICHELANGELO PISTOLETTO Nicchia 1989, wood, 201 x 250 x 65 cm; PASCALE MARTHINE TAYOU Totem Cristal 2019, crystal, mixed media, about 2 meters high. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto & Pascale Marthine Tayou - MICHELANGELO PISTOLETTO Nicchia Alluminio 1989, aluminum, 222 x 60 x 245 cm; PASCALE MARTHINE TAYOU Totem Cristal 2019, crystal, mixed media, about 2 meters high. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Venere - persona - Gamma 2018, silkscreen on super mirror stainless steel, 200 x 125 cm. Photo: Ela Bialkowska, OKNO Studio
Michelangelo Pistoletto - Venere - persona - Beta 2018, silkscreen on super mirror stainless steel, 200 x 125 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Cristal Masks 2019, crystal, wooden masks, 107 x ø 23 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Cristal Masks 2019, crystal, wooden masks, 86 x 54 x 34 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Cristal Masks 2019 crystal, wooden masks, 92 x ø 27 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Kids spirit 2011, collage, metal frame, 144 x 196 x 3 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Kids spirit 2011, collage, metal frame, 144 x 196 x 3 cm. Photo: Ela Bialkowska, OKNO Studio
Pascale Marthine Tayou - Kids spirit 2011, collage, metal frame, 144 x 196 x 3 cm. Photo: Ela Bialkowska, OKNO Studio
Both Pistoletto and Tayou are open to dialogue and exchange. Their works are testament to a process of continual expansion and evolution, aimed at refreshing the point of contact between the artistic experience and the external world. The show opens with one of Pistoletto’s most emblematic works, the “Sfera di giornali” (Newspaper sphere). Hanging on the walls in the same room are a series of LED writings by Pascale Marthine Tayou, sketching out the concept of the global village as the stage upon which the daily confluence of our lives takes place. Tayou’s work is interested in materials and their significance. For this exhibition he uses rusted nails with different coloured heads as his contribution to a dialogue with Pistoletto’s “Rotazione dei corpi” (Rotation of bodies). For the two artists, no unique centre of the universe exists; rather, every point is the centre and each individual is the centre of society. Pascale Marthine Tayou’s work is mobile and always closely tied to the idea of the journey and the encounter of the self with the other. In the exhibition this idea meets one of Pistoletto’s “FAME-AMORE-ARTE” (HUNGER-LOVE-ART [1968]): old suitcases litter the visitor’s path.