Galleria Continua
San Gimignano
Beijing
Les Moulins
Habana

View of the exhibition, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Suspended Perimeter - Love Difference, 1975-2017, iron, mirrors, Ø 10 m, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

View of the exhibitionPhoto Oak Taylor-Smith, Exhibiion "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Il Tempo del Giudizio / The Time of Judgement, 2017, mirror, carpet, Buddha sculpture, kneeling-stool, site specific dimensions, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Il Tempo del Giudizio / The Time of Judgement, 2017, mirror, carpet, Buddha sculpture, kneeling-stool, site specific dimensions, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Il Tempo del Giudizio / The Time of Judgement, 2017, mirror, carpet, Buddha sculpture, kneeling-stool, site specific dimensions, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Cuban Mirror Paintings, 2015, Photo Oak Taylor-Smith, Exhibiion "One and One makes Three, Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Suspended Perimeter - Love Difference, 1975-2017, iron, mirrors, Ø 10 m, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Suspended Perimeter - Love Difference, 1975-2017, iron, mirrors, Ø 10 m, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

View of the exhibitionPhoto Oak Taylor-Smith, Exhibiion "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Suspended Perimeter - Love Difference, 1975-2017, iron, mirrors, Ø 10 m, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

View of the exhibitionPhoto Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

conTatto, 2007, silkscreen on polished stainless steel mirror, 22 x 16 x 23 cm, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Cuban Mirror Paintings, 2015, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

View of the exhibition, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

View of the exhibition, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

View of the exhibition, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

View of the exhibition, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

conTatto, 2007, silkscreen on polished stainless steel mirror, 22 x 16 x 23 cm, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

La Habana, persone in attesa, 2015, silkscreen on super mirror stainless steel, 250 x 500 (4 elements 250 x 125 cm each). Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Collateral Event of the 57th International Art Exhibition – La Biennale di Venezia, Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017

Suspended Perimeter - Love Difference, 1975-2017, iron, mirrors, Ø 10 m, Photo Oak Taylor-Smith, Exhibition "One and One makes Three", Abbazia di San Giorgio Maggiore and Officina dell’Arte Spirituale, Isola di San Giorgio Maggiore, Venezia, 2017