Galleria Continua
San Gimignano
Beijing
Les Moulins
Habana

Blaublobbing, 2006-2017, trasparent PVC, wire rope, motors, lights, variable dimensions, Ph Oak Taylor-Smith

Blaublobbing, 2006-2017, trasparent PVC, wire rope, motors, lights, variable dimensions, Ph Oak Taylor-Smith

Zooffice, 2001, Lambda print, silicone, Plexiglas, 120 x 180 cm, Ph Oak Taylor-Smith

Fingertips III, 2017, Carrara marble, 70 x 65 x 25 cm, Photo Ela Bialkowska, OKNO Studio

Fingertips III, 2017, Carrara marble, 70 x 65 x 25 cm, Photo Ela Bialkowska, OKNO Studio

Wallwave vibration (complex conjugate throbs), 2012, polyester resin, paint, Ø 100 x 5 cm, Ph Oak Taylor-Smith

Wallwave vibration (yours symmetric relation), 2012, polyester resin, paint, Ø 100 x 5 cm, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017, steel elements, Ph Oak Taylor-Smith

Waterbones, 2017
steel elements, Photo Matteo De Fina

Waterbones, 2017
steel elements, Photo Matteo De Fina

Waterbones, 2017
steel elements, Photo Matteo De Fina

Waterbones, 2017
steel elements, Photo Matteo De Fina

Waterbones, 2017
steel elements, Photo Matteo De Fina

Waterbones, 2017
steel elements, Photo Matteo De Fina

Waterbones, 2017
steel elements, Photo Matteo De Fina

Sequential interaction in alfaalfa chorus ( sequence 97), 2017
steel 316
159 x 25 x 125 cm

The Garden’s Jewel, 2016, 2016
Resin, stainless steel 316 modules, iron, glass
site specific project, Photo Simon Quentin

The Garden’s Jewel, 2016, 2016
Resin, stainless steel 316 modules, iron, glass
site specific project, Photo Simon Quentin

The Garden’s Jewel, 2016, 2016
Resin, stainless steel 316 modules, iron, glass
site specific project, Photo Simon Quentin

The Garden’s Jewel, 2016, 2016
Resin, stainless steel 316 modules, iron, glass
site specific project, Photo Simon Quentin

The Garden’s Jewel, 2016, 2016
Resin, stainless steel 316 modules, iron, glass
site specific project, Photo Simon Quentin

Sequential interactions in alfalfa chorus (sequence 91), 2016, chrome steel, 100 h x 125 x 35 cm

Steelwave (mercurial chorus), 2016
hand moulded and polished stainless steel
Ø 100 cm, Photo Ela Bialkowska

Steelwave (mercurial chorus), 2016
hand moulded and polished stainless steel
Ø 100 cm, Photo Ela Bialkowska

Steelwave (mercurial chorus), 2016
hand moulded and polished stainless steel
Ø 100 cm, Photo Ela Bialkowska

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Wallwave vibration (petit Canticus), 2016, polyester resin, wall paint, Ø 60 cm, Photo Rémi Lavalle

Peeling paints (Cyan), 2016, epoxy resin, acrylic, nylon fibers on Dibond, acrylic paint on thermo-moulded laser cutted PETG, 3 elements 250 x 180 cm, Photo Oak Taylor-Smith

Peeling paints (Cyan), 2016, epoxy resin, acrylic, nylon fibers on Dibond, acrylic paint on thermo-moulded laser cutted PETG, 3 elements 250 x 180 cm, Photo Oak Taylor-Smith

Waterbones (Sensitive Chaos), 2016, 1000 steel elements, each elements diameter 26 cm x 4 cm, Photo Oak Taylor-Smith

Waterbones (Sensitive Chaos), 2016, 1000 steel elements, each elements diameter 26 cm x 4 cm, Photo Oak Taylor-Smith

Waterbones (Sensitive Chaos), 2016, 1000 steel elements, each elements diameter 26 cm x 4 cm, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones, 2016, stainless steel 316 modules, variable dimensions with the space, Photo Oak Taylor-Smith

Waterbones (W69), 2015, polished steel modules, 116 x 113 x 15 cm

The polychrcmeseedsessions (collection 1), 2015, natural seeds encapsulated in polycarbonate UV protected, wood and metal frame, 201 x 151 x 5 cm

The polychrcmeseedsessions (collection 1), 2015, natural seeds encapsulated in polycarbonate UV protected, wood and metal frame, 201 x 151 x 5 cm

Sentimental seismographies (Every word has consequences. Every silence too. Jean-Paul Sartre),, 2015, lasercutted synthetic felt, velvet, watercutted steel, 58 x 99 x 21 cm, Photo Oak Taylor-Smith

Sentimental seismographies (Every word has consequences. Every silence too. Jean-Paul Sartre),, 2015, lasercutted synthetic felt, velvet, watercutted steel, 58 x 99 x 21 cm, Photo Oak Taylor-Smith

The developed seed, 2016, stainless steel 316 modules, 170 x 195 cm, Photo Veronica Tronnolone

The developed seed, 2016, stainless steel 316 modules, 170 x 195 cm, Photo Veronica Tronnolone

The developed seed, 2016, stainless steel 316 modules, 170 x 195 cm, Photo Veronica Tronnolone

Waterbones (shamble humble diagram), 2016, stainless steel 316 modules, variable dimensions with the space, Photo by: Ela Bialkowska

Waterbones (shamble humble diagram), 2016, stainless steel 316 modules, variable dimensions with the space, Photo by: Ela Bialkowska

Wallwave vibration (Asynchronous emotion), 2012, polyester resin, paint, Ø 220 x 8 cm, Photo Oak Taylor-Smith

Wallwave vibration (Asynchronous emotion), 2012, polyester resin, paint, Ø 220 x 8 cm, Photo Oak Taylor-Smith

Wallwave vibration (Asynchronous emotion), 2012, polyester resin, paint, Ø 220 x 8 cm, Photo Oak Taylor-Smith

Wallwave vibration (emotional iterative algorithm), 2012, polyester resin, paint, Ø 100 x 5 cm, Photo Veronica Tronnolone

Wallwave vibration (emotional iterative algorithm), 2012, polyester resin, paint, Ø 100 x 5 cm, Photo Veronica Tronnolone

Sinapsis paradigms and Micrologies IV, 2012, self-produced welded steel modules, 48 x 78 x 230 cm

Sinapsis paradigms and Micrologies IV, 2012, self-produced welded steel modules, 48 x 78 x 230 cm

Origami occidentale II, 2011, handmade steel modules, approx. 180 x 170 x 160 cm, Photo Alicia Luxem

Origami occidentale II, 2011, handmade steel modules, approx. 180 x 170 x 160 cm, Photo Alicia Luxem

Gaps, 2006, resin, poliester, wall paint, 310 x 165 x 25 cm each, Photo Paolo Leoni